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TEKA
Komisji Polsko-Ukraińskich Związków Kulturowych VI/2011.
Commission of Polish-Ukrainian Cultural Ties
Spis treści - plik PDF
Wstęp - plik PDF
Introduction - plik PDF
O REALNYM WYMIARZE INGARDENOWSKIEJ POETYKI
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Łukasz Wróbel
Uniwersytet Warszawski
ON THE REAL DIMENSION OF THE INGARDENIAN POETICS
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Summary. The focus of my article are the consequences that stem from Ingardens main goal: to preserve the transcendence and the autonomous status of the hyletic world. Ingarden tended to op-pose the Husserlian transcendentalism that was based on the assumed prior status of eidetic no-tions in the order of cognition. He has put stress on the inevitable carnality of the self, of the indi-vidual; it was for him a consequence of the substantial materiality of being. These two presumptions were, in my opinion, numbered among the factors that could determine what he referred to as the process of concretizing a literary work, that is to say, the process of interpreting a text.
Key words: Roman Ingarden, phenomenology, self, carnality, materiality, concretization
PHENOMENOLOGICAL CONCEPTION BY ROMAN INGARDEN
IN THE CONTEXT OF THEORY OF LITERARY COMMUNICATION
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Summary. The article deals with the most important points of contact between phenomenological conception by Roman Ingarden and theory of literary communication, considered as one of key problems in literary criticism methodology of XX century.
Key words: phenomenology, intentional object, intersubjectivity, text, author, reader, dialogue, literary communication
MODEL OF ARTISTIC CYCLE IN VIEW OF ROMAN INGARDEN
THEORY OF TWO-DIMENSIONAL STRUCTURE OF LITERARY WORK
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Summary. The article represents an attempt to outline the model of artistic cycle with the support of Roman Ingarden theory of two-dimensional structure of literary work. The influence of processes of the work actualization according to dominant contexts (the historical, artistic and literary ones) as well as different intersecting factors (the genre, compositional and narrative ones) is defined. The central problem appears as relation between lyric cycle and paratext (title, internal title, intertitle, zero title, i.e. referent unit of naming.
Key words: cycle, cyclization, actualization of text, paratext, title, Franko
LITERATURA WOBEC RZECZYWISTOŚCI
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Jarosław Poliszczuk
Uniwersytet Jagielloński (Polska), Akademia Ostrogska (Ukraina)
Streszczenie. Autor artykułu sięga do teorii mimesis, analizując jej modyfikację zaprezentowaną w myśli estetycznej Iwana Franki (18561916), jednego z najwybitniejszych intelektualistów ukraińskich ostatniej dekady XIX stulecia. Omawiane są zarówno teoretyczne rozprawy Franki, jak i jego własne utwory literackie, których przykłady służą do uwypuklenia swoistej ewolucji poglądów pisarza na trudne relacje sztuki ze światem zewnętrznym. Weryfikując zasadnicze uwagi Franki na omawiany temat, autor przytacza zdania innych wybitnych filozofów, zwłaszcza sięga po teorię dzieła literackiego Romana Ingardena.
Słowa kluczowe: mimesis, literatura, rzeczywistość, pisarz, estetyka, postulat, krytyka
LITERATURE AND REALITY
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Summary. The author estimates the theory of mimesis on the example of her modification in work of the prominent Ukrainian thinker and writer Ivan Franko (18561916). He analyses not only theoretical labours of Ivan Franko but also his own literary works. The author asserts that the looks of writer to the theory of mimesis suffered a considerable evolution. For verification of substantive provisions of Ivan Franko he uses the postulates of leading representatives of aesthetic idea of ?? of century, in particular Roman Ingarden alludes to the theory of literary work.
?ey words: mimesis, literature, reality, presented world, writer, aesthetic, postulat, criticism
IN PROJECTION OF TWO MIRRORS: INGARDEN AND ANTONYCH
IN THE PHENOMENOLOGICAL DISCOURSE
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Summary. In the article intersection and congeniality of the views by Polish philosopher of literature Roman Ingarden and Ukrainian writer and essayist Bohdan Ihor Antonych are considered. Possible genetic-contactological relations between these views are indicated, typological comparison of scholars' theoretical conceptions in the discourse of phenomenology is made.
KR. Ingarden, B.I. Antonych, Lviv University, phenomenology, E. Husserl, M. Rudnytskyi, content and form, O. Potebnya
SYMBOLIZATION AS A PRINCIPLE OF IMAGE CREATION
IN KYIV RUS CREATION OF ANTHEMS
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Summary. In the article there are observed features of symbolization in Rus'-Ukraine, so called "prince" creation of anthems - in works devoted to St. Borys and Hlib, princess Olha and prince Volodymyr. Symbolization is here the way of reproduction some special figures and also the form of exegesis. It lets us find for sure the degree of importance of deeds of saints and to find him place in Christian range of saints.
Key words: creation of anthems, St. Borys and Hlib, autobiography
PHENOMENOLOGICAL DISCOURSE OF LITERARY TRANSLATION
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Summary. The article deals with the new phenomenological approach to the problems of literary translation based upon the ideas of E. Husserl, R. Ingarden, P. Ricouer. The main attention is drawn to the problems of potential of possible readings and translations of every text from the different time and space distances such as different epochs, individual and national experience, and historical, cultural and artistic systems.
Key words: Roman Ingarden, phenomenology, translations
HISTORIC NOVEL BY PANTELEIMON KULISH CHORNA RADA. THE CHRONICLE OF 1663
IN ROMAN INGARDEN CONCEPTIONS
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Summary. In the article there are analysed peculiarities of poetics of the first historical novel in Ukrainian literature Chorna rada. The chronicle of 1663 by Panteleimon Kulish through the Roman Ingarden conceptions. The stress is made on conceptuality of key images and symbols of composition-of the way and "chorna rada", all-round deciding of their content gave an opportunity to understand better the sense of the novel and contribution of Kulish into the development of Ukrainian literature.
Key words: historical novel, Panteleimon Kulish, The Ruin, images of ways of Chorna rada
PROJECTION OF INGARDENS PHENOMENOLOGY IN ANTHROPOLOGY
OF LITERARY CRITICISM: ANTROPOLOGEME OF INDIVIDUAL VOICE
IN ART AND FIGURATIVE SYSTEM OF UKRAINIAN SIXTIES
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Summary. The article deals with phenomenology of individual voice antropologeme in art and figurative system of Ukrainian sixties. The author projects Ingarden's phenomenology at anthro-pology of literary criticism. Voice antropologeme interpreted as a sound manifestation of individiual's internal state that is reflected in the artistic creativity of the Sixties.
Key words: individual voice, language, antropologeme, phenomenon, code, inner voice, generational voice
THE PROBLEM OF CLASSIFICATION OF GENRE KINDS OF THE NOVEL THROUGH
THE PRISM OF ITS MORTHOLOGY
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Summary. The achievements of western novels are characterized in the article, above all things German, and the Russian formalists in the study of structural nature of the novel, elements and re-ceptions of its structure, the criteria of division a novel inculcated by them are analysed on genre varieties, its reception in the Ukrainian literature criticism of 1920-th. The attempts of successors of formal school to inculcate the clear criteria of novel classification in their correlation with the traditional system of novel varieties historically formed, are also examined. The main attention is paid on the needs to use the genesis of the novel kinds in making the formal-structural analysis.
Key words: formal school, morphology of the novel, method, genre kinds, criteria of classification
SYMBOLIZATION AS A PRINCIPLE OF IMAGE CREATION
IN KYIV RUS CREATION OF ANTHEMS
- pełny artykuł (full article) - plik PDF
Summary. In the article there are observed features of symbolization in Rus'-Ukraine, so called "prince" creation of anthems - in works devoted to St. Borys and Hlib, princess Olha and prince Volodymyr. Symbolization is here the way of reproduction some special figures and also the form of exegesis. It lets us find for sure the degree of importance of deeds of saints and to find him place in Christian range of saints.
Key words: creation of anthems, St. Borys and Hlib, autobiography
RECEPTION OF LAZAR BARANOVYCHS SERMONS IN THE XVII CENTUARY
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Summary. In this article the author investigates the reception of the book Mech dukhovnyy (1666) of Chernigov's archbishop Lazar Baranovyc in the Russian society of the second half of the XVII century. The opinions of the readers were separated by the head of the prescription: secular power was higher than spiritual. Simeon Polotsky demonstrated solidarity with the author. The representatives of "old faith" convicted him for supporting both the tsar and the patriarch. Nicon considered that spiritual power was higher than secular.
Key words: reader, reception, prescription, text, sermon
FENOMENOLOGY EXZEGESIS OF THE NAME OF GOD
IN UKRAINIAN BAROQUE TEXTS
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Summary. The vital question of the offered research is opening of nature of extensional and inten-sional of theology anosmatic from point of logical semantics, plural of those objects, that them means logical predicate in this type of discourse, and role of word in creation of the phenomenology exegesis name of God in the Ukrainian baroque texts. In the article specified, that the sign line of Ukrainian baroque of exegetical entertainments was become by compilation amplification of various theo's names.
Key words: Ukrainian baroque texts, phenomenology exegesis, theology anosmatic, intensional, extensional
IVAN FRANKO COMPOSITION OUR PUBLIC.
PROBLEMS AND GENRE
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Summary. In the article there is an attempt to explore the genealogy and problems in Ivan Franko composition "Our public" in ontological area by means of seaparate philosophical elements in Roman Ingarden literature.Author says it is unjustifiably classified to be exclusively work of art. Author observes the history of essay genre from the ancient times to nowadays, stresses on po-lyphony of Franko's text and his narrative through the conception of artistry, research concretization of literary work.
Key words: Ivan Franko, essay, concretization, school aesthetics, image of pedagogue
THE HARMONY OF GOLDEN CROSSING IN IVAN FRANKO LYRICS
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Summary: There is explored appearance of the law of "golden crossing" in Ivan Franko lyrics. There is noted that "Divine proportion" is realised the most distinctly in composition of the poet's key-poems in different periods of his creation. Asymmetric dividing of poetic text for two asym-metric parts with coefficient 0.62 happens in places of culminant break of lyrical mood, author's experience, or in poem lines that stress the main idea.
Key words: harmony, "Golden crossing", "Divine proportion", Fibonachchi figures, poetry, com-position, verse line
VERSIFICATION OF BOHDAN LEPKYI DURING FIRST DECADE
OF XX CENTURY (KRAKOW PERIOD)
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Summary. In the article there is an versification analysis of poetic works of Bogdan Lepkyi of the first decade of ?? century (beginning of Krakow period during his creative work) at face of metrics and rhythmics.
Key words: Bohdan Lepkyi, poetry, metrics, rhythmics
MEMORY AND MODERNISM: PLACES OF AMBIGUITY
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Summary. The paper aims to draw some extra attention towards modern metaphors of memory being closely related to the recently invented tools of the early XX c. memory, such as photography, motion pictures and sound recording as well as modern technologies (film development and fixation etc). The author reflects how these newly born images and technologies influenced both authorship and readership of autobiographical texts within the climate of opinion and sensitivity of European modernisms. t is precisely these questions about the modeling and patterning of the cultural memory in modern times that this paper is trying to give an answer while comparing two particular cases of writing-the-self in Michel Leiris' L'Age d'Homme and Leonid Skrypnyk's Intelligent.
Key words: metaphors of emory, body of memory, tools of memory, modern self-writing and cul-tural gender
UKRAINIAN TOPOS OF OVIDS METAMORPHOSES
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Summary. In this article we analyze the poem by Mykola Zerov Ovidij on the subject of the "scat-tering" effect for the topos of the expelling site of Roman poet Publius Ovidius Nasone. The site transforms into Ukrainian time and space landscape and embodies the idea of unjustified punish-ment. We trace the intertextual links via the historization of the modernity and projection of the past onto the contemporary, identifying the "hidden signals" in the dialogue of the cultures.
Key words: Ovidius, Zerov, Draj-Khmara, text, intertextuality, metamorphosis, topos, transfor-mation, neoclassics, interpretation
SŁOWIAŃSKIE ZWIERCIADŁO ITALII
PORÓWNANIE PODRÓŻNICZYCH IMPRESJI
HISTORYKA SZTUKI I POETY
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Wojciech Kral
Uniwersytet Szczeciński
Streszczenie. W artykule zaproponowano porównawczy ogląd artystycznych relacji z podróży dwóch słowiańskich autorów, Zbigniewa Herberta i Pawła Muratowa, którzy w utworach prezentują sztukę włoską: architekturę, malarstwo, rzeźbę, miejsca o znaczeniu historycznym. Porównaniu poddane zostały: sposób postrzegania sztuki włoskiej, reakcja pisarzy na nią oraz literacki sposób wyrażania przeżyć i artystyczny kształt wypowiedzi.
Słowa kluczowe: Zbigniew Herbert, Paweł Muratow, podróż, Italia, kultura
SLAVIC MIRROR OF ITALY. COMPARING OF TRIP IMPRESSIONS
BY THE ART HISTORIAN AND POET
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Summary. In the article there is showed comparing perception and art realisation (in the light of trip of two Slavic artists Zbignev Gerbert and Pavlo Muratov) of Italian culture: monuments, panting, sculpture, historical places of Italy.
Key words: Zbignev Herbert, Pavel Muratov, trip, Italy, culture
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